In the contemporary field of calligraphy and seal carving, the name Aisin Gioro Xiangxin may not be widely known, yet like an undercurrent, it flows steadily and resolutely among those who truly understand the art. As the 14th-generation descendant of Prince Kexin of the Qing Dynasty, he carries the cultural heritage of the Manchu royal lineage while forging a distinct personal style in the exploration of modern calligraphy.

Proficient in seal script and clerical script, and well-versed in seal carving and epigraphy, Xiangxin’s artistic practice reflects the accumulation of millennia of literary tradition, while also integrating his unique understanding of life.

Calligraphy and Seal Carving: A Dialogue Between Tradition and Individuality

Xiangxin’s calligraphy demonstrates profound skill, particularly in seal and clerical scripts. His mastery is not confined to a single school of thought—whether it is the ancient solidity of large seal script or the delicate elegance of small seal script, he wields his brush with ease. In today’s calligraphy circles, many artists deliberately pursue an aged and archaic aesthetic, yet Xiangxin maintains the rigorous structure of seal script while subtly infusing it with personal sentiment, achieving a natural and uncontrived effect. His clerical script is equally remarkable, combining disciplined structure with an air of freedom, blending antiquity with innovation to strike an artistic balance between tradition and modernity.

In seal carving, Xiangxin is evidently influenced by the art of epigraphy. His engraving technique is refined, and his composition is meticulously structured, embodying both the weighty grandeur of Qin and Han dynasty seals and the lively elegance of Ming and Qing literati seal carving. Particularly in the treatment of inscriptional side carvings, he transcends mere craftsmanship to imbue his work with philosophical depth, making each seal a carrier of history and thought.

Tea and Life: The Essence Beyond Art

Beyond calligraphy and seal carving, Xiangxin is a man deeply immersed in life’s philosophy. He has a great appreciation for fine cuisine and is especially fond of Pu’er tea. To him, tea is not merely a pleasure of the palate but also a medium for self-cultivation. The art of tea and the art of calligraphy share striking similarities—both require a calm heart, an appreciation for layers of meaning, and an understanding of rhythm and harmony. The aged fragrance of a cup of Pu’er tea, much like the brushwork in calligraphy, gains deeper richness with time.

Recently, he gifted a tea called Jingmai Spring to a friend, who, after tasting it, reflected, “Tea is like life, time is like a song, yet sentiments remain unchanged.” This is not merely an evaluation of tea but also a portrayal of Xiangxin’s artistic journey. In both calligraphy and seal carving, he allows time to refine his craft, not rushing to seek superficial fame but steadily advancing his artistic realm through the passage of years.

A Traveler of Culture: A Scholar with a Wanderer’s Spirit

Xiangxin is not just a calligrapher or a seal engraver; he is also a cultural figure with the spirit of a wanderer. He enjoys making friends, traveling widely, and meeting scholars and literati from various places. Through tea gatherings and the exchange of calligraphy and paintings, he nurtures meaningful connections. This lifestyle enriches both his cultural foundation and his knowledge, keeping his art dynamic and infused with warmth.

Conclusion: The Evergreen Art, Blessings of Prosperity

Xiangxin’s calligraphy and seal carving remain deeply rooted in tradition while breaking free from rigid conventions. His way of life reflects the elegance of classical scholars while embracing the spirit of contemporary times. A friend once wished him “Evergreen artistry, blessings of prosperity,” a sentiment that is not only a personal blessing but also an aspiration for the enduring legacy of culture.

In this fast-paced era, Xiangxin’s dedication to his art reminds us that true cultural depth is often hidden in the depths of time, requiring a quiet and patient heart to savor and understand.

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The Wall Street Herald

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